The three Slash buttons are divided in Light, Medium and Strong Slash, and there is only one level of Kicks that can be combined while press certain direction in the Joystick/Directional Pad. Press two buttons to perform a Strong Slash/Kick is no longer necessary. Two albums where released with original and arranage soundtracks.įor the first time in the series, the button layout was changed: now the game presents three Slash buttons and a Kick button. The music, while retaining the essence of traditional Japanese sound, also had a slight adjustment, becoming less rhythmic and more ambiental-focused but themes of characters like Galford or Kuroko still rely on rock music.
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This also occurs if you're on your final round, in which case both characters start with full POW Gauges and have the normal amount of time on the clock. This is a reminder that both characters are close to death, and they better start playing carefully if they want to win. A feature that helped make this possible are the background changes during the climax of the battle: if a player is on the third round of a stage, and both characters have flashing red Life Gauges, the music will stop and the background will change. The second fact is that the overall game, in both characters and backgrounds, now have a darker feeling than the two previous games. The first notable change was the re-drawned pixel sprites for each returning character (Kyoshiro Senryo even received a new look, more muscular and serious than flamboyant and theatrical), as well new and more detailed smooth frame animations. Samurai Shodown III: Blades of Blood was the starting point for a series of changes in aesthetics and gameplay that defined the next releases of the franchise.
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